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17 You shall set in it four rows of stones. A row of carnelian, chrysolite, and emerald shall be the first row;(A)

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17 Then mount four rows of precious stones(A) on it. The first row shall be carnelian, chrysolite(B) and beryl;

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13 You were in Eden, the garden of God;
    every precious stone was your covering,
carnelian, chrysolite, and moonstone,
    beryl, onyx, and jasper,
sapphire,[a] turquoise, and emerald;
    and worked in gold were your settings
    and your engravings.[b]
On the day that you were created
    they were prepared.(A)

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Footnotes

  1. 28.13 Or lapis lazuli
  2. 28.13 Meaning of Heb uncertain

13 You were in Eden,(A)
    the garden of God;(B)
every precious stone(C) adorned you:
    carnelian, chrysolite and emerald,
    topaz, onyx and jasper,
    lapis lazuli, turquoise(D) and beryl.[a]
Your settings and mountings[b] were made of gold;
    on the day you were created they were prepared.(E)

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Footnotes

  1. Ezekiel 28:13 The precise identification of some of these precious stones is uncertain.
  2. Ezekiel 28:13 The meaning of the Hebrew for this phrase is uncertain.

10 They set in it four rows of stones. A row of carnelian,[a] chrysolite, and emerald was the first row; 11 and the second row, a turquoise, a sapphire,[b] and a moonstone;(A) 12 and the third row, a jacinth, an agate, and an amethyst; 13 and the fourth row, a beryl, an onyx, and a jasper; they were enclosed in settings of gold filigree. 14 There were twelve stones with names corresponding to the names of the sons of Israel; they were engraved like signets, each with its name, for the twelve tribes.(B) 15 They made on the breastpiece chains of pure gold, twisted like cords, 16 and they made two settings of gold filigree and two gold rings and put the two rings on the two edges of the breastpiece,(C) 17 and they put the two cords of gold in the two rings at the edges of the breastpiece. 18 Two ends of the two cords they had attached to the two settings of filigree; in this way they attached it in front to the shoulder pieces of the ephod. 19 Then they made two rings of gold and put them at the two ends of the breastpiece, on its inside edge next to the ephod.(D) 20 They made two rings of gold and attached them in front to the lower part of the two shoulder pieces of the ephod, at its joining above the decorated band of the ephod. 21 They bound the breastpiece by its rings to the rings of the ephod with a blue cord, so that it should lie on the decorated band of the ephod and that the breastpiece should not come loose from the ephod, as the Lord had commanded Moses.

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Footnotes

  1. 39.10 The identification of several of these stones is uncertain
  2. 39.11 Or lapis lazuli

10 Then they mounted four rows of precious stones on it. The first row was carnelian, chrysolite and beryl; 11 the second row was turquoise, lapis lazuli and emerald; 12 the third row was jacinth, agate and amethyst; 13 the fourth row was topaz, onyx and jasper.[a] They were mounted in gold filigree settings. 14 There were twelve stones, one for each of the names of the sons of Israel, each engraved like a seal with the name of one of the twelve tribes.(A)

15 For the breastpiece they made braided chains of pure gold, like a rope. 16 They made two gold filigree settings and two gold rings, and fastened the rings to two of the corners of the breastpiece. 17 They fastened the two gold chains to the rings at the corners of the breastpiece, 18 and the other ends of the chains to the two settings, attaching them to the shoulder pieces of the ephod at the front. 19 They made two gold rings and attached them to the other two corners of the breastpiece on the inside edge next to the ephod. 20 Then they made two more gold rings and attached them to the bottom of the shoulder pieces on the front of the ephod, close to the seam just above the waistband of the ephod. 21 They tied the rings of the breastpiece to the rings of the ephod with blue cord, connecting it to the waistband so that the breastpiece would not swing out from the ephod—as the Lord commanded Moses.

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Footnotes

  1. Exodus 39:13 The precise identification of some of these precious stones is uncertain.

19 The foundations of the wall of the city are adorned with every jewel; the first was jasper, the second sapphire, the third agate, the fourth emerald, 20 the fifth onyx, the sixth carnelian, the seventh chrysolite, the eighth beryl, the ninth topaz, the tenth chrysoprase, the eleventh jacinth, the twelfth amethyst. 21 And the twelve gates are twelve pearls, each of the gates is a single pearl, and the street of the city is pure gold, transparent as glass.

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19 The foundations of the city walls were decorated with every kind of precious stone.(A) The first foundation was jasper,(B) the second sapphire, the third agate, the fourth emerald, 20 the fifth onyx, the sixth ruby,(C) the seventh chrysolite, the eighth beryl, the ninth topaz, the tenth turquoise, the eleventh jacinth, and the twelfth amethyst.[a] 21 The twelve gates(D) were twelve pearls,(E) each gate made of a single pearl. The great street of the city was of gold, as pure as transparent glass.(F)

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Footnotes

  1. Revelation 21:20 The precise identification of some of these precious stones is uncertain.

11 for wisdom is better than jewels,
    and all that you may desire cannot compare with her.(A)

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11 for wisdom is more precious(A) than rubies,
    and nothing you desire can compare with her.(B)

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17 They shall be mine, says the Lord of hosts, my special possession on the day when I act, and I will spare them as parents spare their children who serve them.(A)

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17 “On the day when I act,” says the Lord Almighty, “they will be my(A) treasured possession.(B) I will spare(C) them, just as a father has compassion and spares his son(D) who serves him.

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Her princes were purer than snow,
    whiter than milk;
their bodies were more ruddy than coral,
    their form cut like sapphire.[a](A)

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Footnotes

  1. 4.7 Or lapis lazuli

Their princes were brighter than snow
    and whiter than milk,
their bodies more ruddy than rubies,
    their appearance like lapis lazuli.

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11 O afflicted one, storm-tossed and not comforted,
    I am about to set your stones in antimony
    and lay your foundations with sapphires.[a](A)
12 I will make your pinnacles of rubies,
    your gates of jewels,
    and all your wall of precious stones.

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Footnotes

  1. 54.11 Or lapis lazuli

11 “Afflicted(A) city, lashed by storms(B) and not comforted,(C)
    I will rebuild you with stones of turquoise,[a](D)
    your foundations(E) with lapis lazuli.(F)
12 I will make your battlements of rubies,
    your gates(G) of sparkling jewels,
    and all your walls of precious stones.

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Footnotes

  1. Isaiah 54:11 The meaning of the Hebrew for this word is uncertain.

Ode to a Woman of Strength

10 A woman of strength who can find?
    She is far more precious than jewels.(A)

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Epilogue: The Wife of Noble Character

10 [a]A wife of noble character(A) who can find?(B)
    She is worth far more than rubies.

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Footnotes

  1. Proverbs 31:10 Verses 10-31 are an acrostic poem, the verses of which begin with the successive letters of the Hebrew alphabet.

15 There is gold and abundance of costly stones,
    but the lips informed by knowledge are a precious jewel.

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15 Gold there is, and rubies in abundance,
    but lips that speak knowledge are a rare jewel.

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15 She is more precious than jewels,
    and nothing you desire can compare with her.(A)

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15 She is more precious than rubies;(A)
    nothing you desire can compare with her.(B)

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18 No mention shall be made of coral or of crystal;
    the price of wisdom is above pearls.(A)
19 The chrysolite of Cush cannot compare with it,
    nor can it be valued in pure gold.(B)

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18 Coral(A) and jasper(B) are not worthy of mention;
    the price of wisdom is beyond rubies.(C)
19 The topaz(D) of Cush(E) cannot compare with it;
    it cannot be bought with pure gold.(F)

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11 As a gem cutter engraves signets, so you shall engrave the two stones with the names of the sons of Israel; you shall mount them in settings of gold filigree.

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11 Engrave the names of the sons of Israel on the two stones the way a gem cutter engraves a seal. Then mount the stones in gold filigree settings

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