Although Solomon composed 1,005 songs (1 Kings 4:32), the one before us from his gifted pen was in a class by itself, which he named, “The Song of Songs,” meaning a very excellent song, or the most surpassing of his Songs. Because of the sexual atmosphere of this song, or poem, there have been those writers who have protested against its inclusion in Holy Writ, not only because of its love content, but also because it is destitute of any declared divine name or truth. Solomon’s “Song” is not simply an oriental love poem, full of exquisite beauty and charm, set amid beautiful pastoral scenes. It is also the portrayal of a lovely yet lowly maiden from her northern home who could not be swayed by the wealth and splendor of a gorgeous court life. She loved her beloved for what he was, not had, and gave him all her love, and was adverse to his sharing his love with any other woman.
Immersed in polygamy as Solomon was, and which in his heart, he knew to be against God’s law, it may be that he wrote this Song as a protest against an almost universal practice, and as a portrayal of the purity and constancy of a pure woman’s love and of the ideal relationship God ordained for a man and a woman. Today, human society is saturated, to its detriment, with lower ideals of free love, loose practices and easy divorces. The attractive Shulamite impressed upon the ladies (?) of the court her love and loyalty to the one man who had wooed and won her heart. That she triumphed can be gathered from her confident confession, “I am my beloved’s, and his desire is towards me,” and many waters could not quench such singular love. Spiritual minds all down the ages have seen in this remarkable Song a symbol of the new union and communion existing between Christ and His true church—His Bride.