◀ All Reading Plans / Revised Common Lectionary (Semicontinuous) / Psalm 16 (Fullness of joy); Song of Solomon 2:8-15 (Arise for the winter is past); Colossians 4:2-5 (The new life in Christ) (New English Translation)

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April 13, 2023

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Revised Common Lectionary (Semicontinuous)

Daily Bible readings that follow the church liturgical year, with sequential stories told across multiple weeks.

Duration: 1245 days

Psalm 16

Psalm 16^[a]

A prayer^[b] of David.

16 Protect me, O God, for I have taken shelter in you.^[c]
²I say to the Lord, “You are the Lord,
my only source of well-being.”^[d]
³As for God’s chosen people who are in the land,
and the leading officials I admired so much^[e]—
⁴their troubles multiply;
they desire other gods.^[f]
I will not pour out drink offerings of blood to their gods,^[g]
nor will I make vows in the name of their gods.^[h]
⁵Lord, you give me stability and prosperity;^[i]
you make my future secure.^[j]
⁶It is as if I have been given fertile fields
or received a beautiful tract of land.^[k]
⁷I will praise^[l] the Lord who^[m] guides^[n] me;
yes, during the night I reflect and learn.^[o]
⁸I constantly trust in the Lord;^[p]
because he is at my right hand, I will not be shaken.
⁹So my heart rejoices
and I am happy;^[q]
my life is safe.^[r]
¹⁰You will not abandon me^[s] to Sheol;^[t]
you will not allow your faithful follower^[u] to see^[v] the Pit.^[w]
¹¹You lead me in^[x] the path of life.^[y]
I experience absolute joy in your presence;^[z]
you always give me sheer delight.^[aa]

Footnotes

Psalm 16:1 sn Psalm 16. The psalmist seeks divine protection because he has remained loyal to God. He praises God for his rich blessings, and is confident God will vindicate him and deliver him from death.
Psalm 16:1 tn The precise meaning of the Hebrew term מִכְתָּם (mikhtam) is uncertain. HALOT 582-83 s.v. defines it as “inscription.”
Psalm 16:1 tn The Hebrew perfect verbal form probably refers here to a completed action with continuing results (see 7:1; 11:1).sn Taken shelter. “Taking shelter” in the Lord is an idiom for seeking his protection. Seeking his protection presupposes and even demonstrates the subject’s loyalty to the Lord. In the psalms those who “take shelter” in the Lord are contrasted with the wicked and equated with those who love, fear and serve the Lord (Pss 5:11-12; 31:17-20; 34:21-22).
Psalm 16:2 tn Heb “my good [is] not beyond you.” For the use of the preposition עַל (ʿal) in the sense of “beyond,” see BDB 755 s.v. 2.
Psalm 16:3 tn Heb “regarding the holy ones who [are] in the land, they; and the mighty [ones] in [whom is/was] all my desire.” The difficult syntax makes the meaning of the verse uncertain. The phrase “holy ones” sometimes refers to God’s angelic assembly (see Ps 89:5, 7), but the qualifying clause “who are in the land” suggests that here it refers to God’s people (Ps 34:9) or to their priestly leaders (2 Chr 35:3).
Psalm 16:4 tn Heb “their troubles multiply, another, they pay a dowry.” The meaning of the text is unclear. The Hebrew term עַצְּבוֹתָם (ʿats^evotam, “troubles”) appears to be a plural form of עַצֶּבֶת (ʿatsevet, “pain, wound”; see Job 9:28; Ps 147:3). Because idolatry appears to be in view (see v. 4b), some prefer to emend the noun to עַצְּבִים (ʿats^evim, “idols”). “Troubles” may be a wordplay on “idols” or a later alteration designed to emphasize that idolatry leads to trouble. The singular form אחר (“another”) is syntactically problematic here. Perhaps the form should be emended to a plural אֲחֵרִים (ʾakherim, “others”). (The final mem [ם] could have been lost by haplography; note the mem [מ] at the beginning of the next word.) In this case it might be taken as an abbreviated form of the well-attested phrase אֱלֹהִים אֲחֵרִים (ʾelohim ʾakherim, “other gods”). (In Isa 42:8 the singular form אַחַר (ʾakher, “another”) is used of another god.) The verb מָהַר (mahar) appears in the Qal stem; the only other use of a Qal verbal form of a root מָהַר is in Exod 22:15, where the denominative verb מָהֹר (mahor, “purchase [a wife]”) appears; cf. the related noun מֹהַר (mohar, “bride money, purchase price for a wife”). If that verb is understood here, then the idolaters are pictured as eager bridegrooms paying the price to acquire the object of their desire. Another option is to emend the verb to a Piel and translate, “hurry (after).”
Psalm 16:4 tn Heb “I will not pour out their drink offerings of blood.” The third masculine plural suffix would appear to refer back to the people/leaders mentioned in v. 3. However, if we emend אֲחֵר (ʾakher, “another”) to the plural אֲחֵרִים (ʾakherim, “other [gods]”) in v. 4, the suffix can be understood as referring to these gods—“the drink offerings [made to] them.” The next line favors this interpretation. Perhaps this refers to some type of pagan cultic ritual. Elsewhere wine is the prescribed content of drink offerings.
Psalm 16:4 tn Heb “and I will not lift up their names upon my lips.” The expression “lift up the name” probably refers here to swearing an oath in the name of deity (see Exod 20:7; Deut 5:11). If so, the third masculine plural suffix on “names” likely refers to the pagan gods, not the people/leaders. See the preceding note.
Psalm 16:5 tn Heb “O Lord, the portion of my possession and my cup”; or “the Lord [is] the portion of my possession and my cup.” The psalmist compares the Lord to landed property, which was foundational to economic stability in ancient Israel, and to a cup of wine, which may symbolize a reward (in Ps 11:6 it symbolizes the judgment one deserves) or divine blessing (see Ps 23:5). The metaphor highlights the fact that God is the psalmist’s source of security and prosperity.
Psalm 16:5 tc Heb “you take hold of my lot.” The form תּוֹמִיךְ (tomikh) should be emended to a participle, תוֹמֵךְ (tomekh). The psalmist pictures the Lord as casting his lot (a method used to allot landed property) for him, thus assuring that he will receive a fertile piece of land (see v. 6). As in the previous line, land represents security and economic stability, thus “you make my future secure.”
Psalm 16:6 tn Heb “measuring lines have fallen for me in pleasant [places]; yes, property [or “an inheritance”] is beautiful for me.” On the dative use of עַל (ʿal), see BDB 758 s.v. II.8. Extending the metaphor used in v. 5, the psalmist compares the divine blessings he has received to a rich, beautiful tract of land that one might receive by allotment or inheritance.
Psalm 16:7 tn Heb “bless,” that is, “proclaim as worthy of praise.”
Psalm 16:7 tn Or “because.”
Psalm 16:7 tn Or “counsels, advises.”
Psalm 16:7 tn Heb “yes, [during] nights my kidneys instruct [or “correct”] me.” The “kidneys” are viewed here as the seat of the psalmist’s moral character (see Ps 26:2). In the quiet darkness the Lord speaks to his inner being, as it were, and enables him to grow in moral understanding.
Psalm 16:8 tn Heb “I set the Lord before me continually.” This may mean that the psalmist is aware of the Lord’s presence and sensitive to his moral guidance (see v. 7), or that he trusts in the Lord’s protection (see the following line).
Psalm 16:9 tn Heb “my glory is happy.” Some view the Hebrew term כְּבוֹדִי (k^evodi, “my glory”) as a metonymy for man’s inner being (see BDB 459 s.v. II כָּבוֹד 5), but it is preferable to emend the form to כְּבֵדִי (k^evedi, “my liver”). Like the heart, the liver is viewed as the seat of one’s emotions. See also Pss 30:12; 57:9; 108:1, as well as H. W. Wolff, Anthropology of the Old Testament, 64, and M. Dahood, Psalms (AB), 1:90. For an Ugaritic example of the heart/liver as the source of joy, see G. R. Driver, Canaanite Myths and Legends, 47-48: “her [Anat’s] liver swelled with laughter, her heart was filled with joy, the liver of Anat with triumph.”
Psalm 16:9 tn Heb “yes, my flesh dwells securely.” The psalmist’s “flesh” stands by metonymy for his body and, by extension, his physical life.
Psalm 16:10 tn Or “my life.” The suffixed form of נֶפֶשׁ (nefesh, “being”) is often equivalent to a pronoun in poetic texts.
Psalm 16:10 sn In ancient Israelite cosmology Sheol is the realm of the dead, viewed as being under the earth’s surface. See L. I. J. Stadelmann, The Hebrew Conception of the World, 165-76.
Psalm 16:10 tn A “faithful follower” (חָסִיד [khasid], traditionally rendered “holy one”) is one who does what is right in God’s eyes and remains faithful to God (see Pss 4:3; 12:1; 18:25; 31:23; 37:28; 86:2; 97:10). The psalmist here refers to himself, as the parallel line (“You will not abandon me to Sheol”) indicates.
Psalm 16:10 tn That is, “experience.” The psalmist is confident that the Lord will protect him in his present crisis (see v. 1) and prevent him from dying.sn According to Peter, the words of Ps 16:8-11 are applicable to Jesus (Acts 2:25-29). Peter goes on to argue that David, being a prophet, foresaw future events and spoke of Jesus’ resurrection from the dead (Acts 2:30-33). Paul seems to concur with Peter in this understanding (see Acts 13:35-37). For a discussion of the NT application of these verses to Jesus’ resurrection, see R. B. Chisholm, Jr., “A Theology of the Psalms,” A Biblical Theology of the Old Testament, 292-95.
Psalm 16:10 tn The Hebrew word שָׁחַת (shakhat, “pit”) is often used as a title for Sheol (see Pss 30:9; 49:9; 55:24 HT [55:23 ET]; 103:4). Note the parallelism with the previous line.
Psalm 16:11 tn Heb “cause me to know”; or “cause me to experience.”
Psalm 16:11 tn This is a metaphorical way of saying, “you preserve my life.” The phrase “path of life” stands in contrast to death/Sheol in Prov 2:18-19; 5:5-6; 15:24.
Psalm 16:11 tn Heb “abundance of joy [is] with your face.” The plural form of the noun שִׂמְחָה (simkhah, “joy”) occurs only here and in Ps 45:15. It may emphasize the degree of joy experienced.
Psalm 16:11 tn Heb “delight [is] in your right hand forever.” The plural form of the adjective נָעִים (naʿim, “pleasant, delightful”) may here emphasize the degree of delight experienced (see Job 36:11).

Song of Solomon 2:8-15

The Arrival of the Lover

The Beloved about Her Lover:

⁸Listen!^[a] My lover is approaching!^[b]
Look!^[c] Here he comes,
leaping over the mountains,
bounding over the hills!
⁹My lover is like a gazelle or a young stag.^[d]
Look! There he stands behind our wall,
gazing through the window,
peering through the lattice.

The Season of Love and the Song of the Turtledove

The Lover to His Beloved:

¹⁰My lover spoke to me, saying:
“Arise, my darling;
My beautiful one, come away with me!
¹¹Look! The winter has passed,
the winter rains are over and gone.
¹²Blossoms have appeared^[e] in the land,
the time for pruning and singing^[f] has come;
the voice of the turtledove is heard in our land.
¹³The fig tree has ripened its figs,
the vines have blossomed and give off their fragrance.
Arise, come away my darling;
my beautiful one, come away with me!”

The Dove in the Clefts of En Gedi

The Lover to His Beloved:

¹⁴O my dove,^[g] in the clefts of the rock,
in the hiding places of the mountain crags,
let me see your face,
let me hear your voice;
for your voice is sweet,
and your face is lovely.

The Foxes in the Vineyard

The Beloved to Her Lover:

¹⁵Catch^[h] the foxes^[i] for us,
the little foxes,^[j]
that ruin the vineyards^[k]—
for our vineyard is in bloom.

Footnotes

Song of Solomon 2:8 tn Heb “The voice of my beloved!” The exclamation קוֹל (qol, “Listen!”) is an introductory exclamatory particle used to emphasize excitement and the element of surprise.
Song of Solomon 2:8 tn The phrase “is approaching” does not appear in Hebrew but is supplied in the translation for the sake of clarity.
Song of Solomon 2:8 tn The exclamation הִנֵּה־זֶה (hinneh zeh, “Look!”) is used of excited speech when someone is seen approaching (Isa 21:9).
Song of Solomon 2:9 sn Gazelles are often associated with sensuality and masculine virility in ancient Near Eastern love literature. Gazelles were often figures in Hebrew, Akkadian, and Ugaritic literature for mighty warriors or virile young men (e.g., 2 Sam 1:19; 2:18; Isa 14:9; Zech 10:3). In ancient Near Eastern love literature gazelles often symbolize the excitement and swiftness of the lover coming to see his beloved, as in an ancient Egyptian love song: “O that you came to your sister swiftly like a bounding gazelle! Its feet reel, its limbs are weary, terror has entered its body. A hunter pursues it with his hounds, they do not see it in its dust; It sees a resting place as a trap, it takes the river as its road. May you find her hiding-place before your hand is kissed four times. Pursue your sister’s love, the Golden gives her to you, my friend!” (“Three Poems” in the Papyrus Chester Beatty 1 collection).
Song of Solomon 2:12 tn Heb “are seen.”
Song of Solomon 2:12 tn Alternately, “the time of singing” or “the time of pruning.” The homonymic root זָמִיר (zamir) means “song, singing” (HALOT 273 s.v. I זָמִיר; DCH 3:117 s.v. זָמִיר a), while II זָמִיר means “pruning, trimming” (HALOT 273 s.v. II; DCH 3:117 s.v. II). The intended root is debated among the ancient versions (LXX, Aquila, Symmachus, Vulgate, Targum), Hebrew lexicographers (HALOT 273; DCH 3:117), and translations: “singing” (KJV, NIV, NASB margin, NJPS margin), “pruning” (NASB, NJPS). However, rather than choosing between these two roots, it is likely that this is an example of intentional ambiguity. The preceding line draws out the meaning of זָמִיר (“trimming, pruning”): “The pomegranates are seen in the land, the time of pruning has come.” The following line draws out the meaning of זָמִיר (“singing”): “The time of singing has come, the voice of the turtledove is heard in the land.” This homonymic wordplay creates an example of “janus parallelism” between the three poetic lines which play off both root meanings of the intentionally ambiguous homonym. This elegant wordplay and the AB:BA “janus parallelism” may be represented thus: “The pomegranates are seen in the land, the time has come for pruning // singing, the voice of the turtledove is heard in the land.”
Song of Solomon 2:14 sn The dove was a common figure for romantic love in ancient Near Eastern love literature. This emphasis seems to be suggested by his use of the term “my dove.” Just as the young man heard the voice of the turtledove in 2:12, so now he wants to hear her voice. Doves were often associated with timidity in the ancient world. Being virtually defenseless, they would often take refuge in crevices and cliffs for safety (Jer 48:28). The emphasis on timidity and the need for security is undoubtedly the emphasis here because of the explicit description of this “dove” hiding in the “clefts of the rock” and in “the hiding places of the mountain crevice.” Fortresses were sometimes built in the clefts of the rocks on mountainsides because they were inaccessible and therefore, in a secure place of safety (Jer 49:16; Obad 3). Perhaps he realized it might be intimidating for her to join him and communicate with him freely. She would need to feel secure in his love to do this. It would be easy for her to hide from such emotionally exposing experiences.
Song of Solomon 2:15 tn The imperative אֶחֱזוּ (ʾekhezu, “catch”) is plural in form (Qal imperative second person masculine plural from אָחַז, ʾakhaz). Some commentators suggest that the woman is speaking to a large audience, perhaps the maidens of Jerusalem mentioned in 2:7. However, the Hebrew plural can function in an intensive sense when used in reference to a single individual (IBHS 122 §7.4.3a). As noted previously, the bride often uses the plural in reference to herself or to her bridegroom in Sumerian love literature. Thus, the woman simply may be speaking to her beloved, as in 2:16-17, but with particularly intense passion.
Song of Solomon 2:15 sn The term “foxes” is used metaphorically. Foxes are always spoken of in a negative light in the OT and in the ancient world were particularly associated with their destructive tendencies with regard to vineyards (Judg 15:4; Neh 4:3; Ps 63:10; Lam 5:18; Ezek 13:4). The description of these foxes as being destructive here seems to confirm that this is the point of comparison in mind.
Song of Solomon 2:15 sn In ancient Near Eastern love literature it was common to use wild animals to symbolize potential problems which could separate lovers and destroy their love. For instance, in Egyptian love songs it is the crocodile, rather than the foxes, which were used as figures for obstacles which might threaten a couple’s love. Here the “foxes” are probably used figuratively to represent potentially destructive problems which could destroy their romantic relationship and which could hinder it from ripening into marriage.
Song of Solomon 2:15 sn The term “vineyard” is also a figure. In 1:6 she used the vineyard motif as a metaphor for her physical appearance, but here it is “our vineyards” which is probably a figure for their romantic relationship. The phrase “in bloom” makes the metaphor more specific, so that the phrase “our vineyards are in bloom” means that their romantic love relationship was in its initial stages, that is, before it had ripened into marriage.

Colossians 4:2-5

Exhortation to Pray for the Success of Paul’s Mission

²Be devoted to prayer, keeping alert in it with thanksgiving. ³At the same time pray^[a] for us too, that^[b] God may open a door for the message^[c] so that we may proclaim^[d] the mystery of Christ, for which I am in chains.^[e] ⁴Pray that I may make it known as I should.^[f] ⁵Conduct yourselves^[g] with wisdom toward outsiders, making the most of the opportunities.

New English Translation (NET)

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Revised Common Lectionary (Semicontinuous)

Psalm 16[a]

A prayer[b] of David.

Footnotes

The Arrival of the Lover

The Beloved about Her Lover:

The Season of Love and the Song of the Turtledove

The Lover to His Beloved:

The Dove in the Clefts of En Gedi

The Lover to His Beloved:

The Foxes in the Vineyard

The Beloved to Her Lover:

Footnotes

Exhortation to Pray for the Success of Paul’s Mission

Footnotes

Psalm 16^[a]

A prayer^[b] of David.