Song of Solomon 2:10-13
World English Bible
10 My beloved spoke, and said to me,
“Rise up, my love, my beautiful one, and come away.
11 For behold, the winter is past.
The rain is over and gone.
12 The flowers appear on the earth.
The time of the singing has come,
and the voice of the turtledove is heard in our land.
13 The fig tree ripens her green figs.
The vines are in blossom.
They give out their fragrance.
Arise, my love, my beautiful one,
and come away.”
Song of Solomon 2:10-13
New English Translation
The Season of Love and the Song of the Turtledove
The Lover to His Beloved:
10 My lover spoke to me, saying:
“Arise, my darling;
My beautiful one, come away with me!
11 Look! The winter has passed,
the winter rains are over and gone.
12 Blossoms have appeared[a] in the land,
the time for pruning and singing[b] has come;
the voice of the turtledove is heard in our land.
13 The fig tree has ripened its figs,
the vines have blossomed and give off their fragrance.
Arise, come away my darling;
my beautiful one, come away with me!”
Footnotes
- Song of Solomon 2:12 tn Heb “are seen.”
- Song of Solomon 2:12 tn Alternately, “the time of singing” or “the time of pruning.” The homonymic root זָמִיר (zamir) means “song, singing” (HALOT 273 s.v. I זָמִיר; DCH 3:117 s.v. זָמִיר a), while II זָמִיר means “pruning, trimming” (HALOT 273 s.v. II; DCH 3:117 s.v. II). The intended root is debated among the ancient versions (LXX, Aquila, Symmachus, Vulgate, Targum), Hebrew lexicographers (HALOT 273; DCH 3:117), and translations: “singing” (KJV, NIV, NASB margin, NJPS margin), “pruning” (NASB, NJPS). However, rather than choosing between these two roots, it is likely that this is an example of intentional ambiguity. The preceding line draws out the meaning of זָמִיר (“trimming, pruning”): “The pomegranates are seen in the land, the time of pruning has come.” The following line draws out the meaning of זָמִיר (“singing”): “The time of singing has come, the voice of the turtledove is heard in the land.” This homonymic wordplay creates an example of “janus parallelism” between the three poetic lines which play off both root meanings of the intentionally ambiguous homonym. This elegant wordplay and the AB:BA “janus parallelism” may be represented thus: “The pomegranates are seen in the land, the time has come for pruning // singing, the voice of the turtledove is heard in the land.”
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