Song of Solomon 1
Lexham English Bible
Title
Maiden’s Soliloquy
2 May[c] you kiss me[d] passionately with your lips,[e]
for your love is better than wine.[f]
3 As fragrance, your perfumes[g] are delightful;[h]
your name is poured out perfume;[i]
therefore young women love you.
4 Draw me after you, let us run!
May the king bring me into his chambers![j]
Let us be joyful and let us rejoice in you;
let us extol your love more than wine.
Rightly do they love you!
Maiden’s Self-Description
5 I am black but beautiful,[k] O maidens of Jerusalem,[l]
like the tents of Kedar, like the curtains of Solomon.
6 Do not gaze at me because I am black, [m]
because the sun has stared at me.
The sons of my mother were angry with me;
they made me keeper of the vineyards,
but my own “vineyard”[n] I did not keep.
Dialogue between Shepherdess and Shepherd
7 Tell me, you whom my heart[o] loves,
where do you pasture your flock,
where do your sheep lie down at the noon?
For why should I be like[p] one who is veiled[q]
beside the flocks of your companions?
8 If you do not know, O fairest among women,
follow the tracks[r] of the flock,
and pasture your little lambs[s] beside the tents of the shepherds.
Man’s Poetic Praise of His Beloved
9 To a mare[t] among the chariots[u] of Pharaoh,
I compare you, my beloved.
10 Your cheeks are beautiful with ornaments,
your neck with strings of jewels.
11 We will make ornaments of gold for you
with studs[v] of silver.
Maiden’s Poetic Praise of Her Beloved
12 While the king was on his couch,
my nard gave its fragrance.
13 My beloved is to me a pouch[w] of myrrh,
he spends the night[x] between my breasts.
14 My beloved is to me a cluster of blossoms of henna
in the vineyards of En Gedi.
Mutual Admiration
15 Look! You are beautiful, my beloved.
Look! You are beautiful;
your eyes are doves.
16 Look! You are beautiful, my beloved,
truly pleasant.
Truly our couch is verdant;[y]
17 the beams of our house are cedar;
our rafter is cypress.
Footnotes
- Song of Solomon 1:1 This construction conveys a superlative connotation, e.g., “The most exquisite song”
- Song of Solomon 1:1 Or “by Solomon” or “about/concerning Solomon”
- Song of Solomon 1:2 In the maiden’s soliloquy, she thinks about her beloved in her thoughts (“May he kiss me!”), then poetically speaks to him as if he were in her presence (“for your love is better than wine”). To avoid confusion, the translation uses the second-person form throughout vv. 2–4
- Song of Solomon 1:2 Literally “May he kiss me”
- Song of Solomon 1:2 Literally “with the kisses of his mouth”
- Song of Solomon 1:2 The shift from the third person “he … his” to the second person “you … your” in vv. 2–4 should not be interpreted as suggesting two different referents, that is, one male whom the maiden is addressing as “you,” and another to whom she refers as “he.” Rather, this shift is a poetic device (called “grammatical differentiation”) that is not uncommon in Hebrew poetry (e.g., Gen 49:4; Deut 32:15; Psa 23:2–5; Isa 1:29; 42:20; 54:1; Jer 22:24; Amos 4:1; Mic 7:19; Lam 3:1; Song 4:2; 6:6). This shift is characteristic of a soliloquy, a dramatic or literary form in which a character reveals her thoughts without addressing a listener who is actually present (e.g., 2 Sam 19:4). In this case, the maiden’s private thoughts about her beloved (v. 2a) shift to an imaginary address to her beloved (vv. 2b–4a)
- Song of Solomon 1:3 Literally “your oil lotions”
- Song of Solomon 1:3 Literally “good”
- Song of Solomon 1:3 Literally “oil lotion”
- Song of Solomon 1:4 Or “The king has brought me into his chambers”
- Song of Solomon 1:5 Or “black and beautiful”
- Song of Solomon 1:5 Literally “O daughters of Jerusalem”
- Song of Solomon 1:6 This is figurative for the maiden’s physical appearance; her skin was darkly tanned
- Song of Solomon 1:6 Literally “my vineyard that for me”
- Song of Solomon 1:7 Literally “soul”
- Song of Solomon 1:7 Literally “For to what will I be like”
- Song of Solomon 1:7 The reading of the MT (“like one who is veiled”) is supported by the LXX. However, several ancient versions (Syriac Peshitta, Latin Vulgate, Symmachus) reflect an alternate Hebrew textual tradition in which two letters are transposed, resulting in the reading “like one who wanders about.” This makes good sense contextually, since the maiden does not know where her beloved would be at noon
- Song of Solomon 1:8 Literally “in the tracks”
- Song of Solomon 1:8 Or “your kids”
- Song of Solomon 1:9 Or “my mare”
- Song of Solomon 1:9 Or “chariot horses”
- Song of Solomon 1:11 Or “droplets”
- Song of Solomon 1:13 Literally “the bag”
- Song of Solomon 1:13 Or “he lays”
- Song of Solomon 1:16 Literally “green”
Cantico dei Cantici 1
Conferenza Episcopale Italiana
TITOLO E PROLOGO
1 Cantico dei cantici, che è di Salomone.
La sposa
2 Mi baci con i baci della sua bocca!
Sì, le tue tenerezze sono più dolci del vino.
3 Per la fragranza sono inebrianti i tuoi profumi,
profumo olezzante è il tuo nome,
per questo le giovinette ti amano.
4 Attirami dietro a te, corriamo!
M'introduca il re nelle sue stanze:
gioiremo e ci rallegreremo per te,
ricorderemo le tue tenerezze più del vino.
A ragione ti amano!
PRIMO POEMA
La sposa
5 Bruna sono ma bella,
o figlie di Gerusalemme,
come le tende di Kedar,
come i padiglioni di Salma.
6 Non state a guardare che sono bruna,
poiché mi ha abbronzato il sole.
I figli di mia madre si sono sdegnati con me:
mi hanno messo a guardia delle vigne;
la mia vigna, la mia, non l'ho custodita.
7 Dimmi, o amore dell'anima mia,
dove vai a pascolare il gregge,
dove lo fai riposare al meriggio,
perché io non sia come vagabonda
dietro i greggi dei tuoi compagni.
Il coro
8 Se non lo sai, o bellissima tra le donne,
segui le orme del gregge
e mena a pascolare le tue caprette
presso le dimore dei pastori.
Lo sposo
9 Alla cavalla del cocchio del faraone
io ti assomiglio, amica mia.
10 Belle sono le tue guance fra i pendenti,
il tuo collo fra i vezzi di perle.
11 Faremo per te pendenti d'oro,
con grani d'argento.
Duetto
12 Mentre il re è nel suo recinto,
il mio nardo spande il suo profumo.
13 Il mio diletto è per me un sacchetto di mirra,
riposa sul mio petto.
14 Il mio diletto è per me un grappolo di cipro
nelle vigne di Engàddi.
15 Come sei bella, amica mia, come sei bella!
I tuoi occhi sono colombe.
16 Come sei bello, mio diletto, quanto grazioso!
Anche il nostro letto è verdeggiante.
17 Le travi della nostra casa sono i cedri,
nostro soffitto sono i cipressi.
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