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14 They[a] lift their voices and shout joyfully;
they praise[b] the majesty of the Lord in the west.
15 So in the east[c] extol the Lord,
along the seacoasts extol[d] the fame[e] of the Lord God of Israel.
16 From the ends of the earth we[f] hear songs—
the Just One is majestic.[g]
But I[h] say, “I’m wasting away! I’m wasting away! I’m doomed!
Deceivers deceive, deceivers thoroughly deceive!”[i]

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  1. Isaiah 24:14 sn The remnant of the nations (see v. 13) may be the unspecified subject. If so, then those who have survived the judgment begin to praise God.
  2. Isaiah 24:14 tn Heb “they yell out concerning.”
  3. Isaiah 24:15 tc The Hebrew text reads literally, “in the lights,” interpreted by some to mean “in the region of light,” referring to the east. Some scholars have suggested the emendation of בָּאֻרִים (baʾurim) to בְּאִיֵּי הַיָּם (beʾiyye hayyam, “along the seacoasts”), a phrase that is repeated in the next line. In this case, the two lines form synonymous parallelism. If one retains the MT reading (as above), “in the east” and “along the seacoasts” depict the two ends of the earth to refer to all the earth (as a merism).
  4. Isaiah 24:15 tn The word “extol” is supplied in the translation; the verb in the first line does double duty in the parallelism.
  5. Isaiah 24:15 tn Heb “name,” which here stands for God’s reputation achieved by his mighty deeds.
  6. Isaiah 24:16 sn The identity of the subject is unclear. Apparently in vv. 15-16a an unidentified group responds to the praise they hear in the west by exhorting others to participate.
  7. Isaiah 24:16 tn Heb “Beauty belongs to the just one.” These words may summarize the main theme of the songs mentioned in the preceding line.
  8. Isaiah 24:16 sn The prophet seems to contradict what he hears the group saying. Their words are premature because more destruction is coming.
  9. Isaiah 24:16 tn Heb “and [with] deception deceivers deceive.”tn Verse 16b is a classic example of Hebrew wordplay. In the first line (“I’m wasting away….”) four consecutive words end with hireq yod ( ִי); in the second line all forms are derived from the root בָּגַד (bagad). The repetition of sound draws attention to the prophet’s lament.