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19 Then the Levites from the clans of Kohath and Korah stood to praise the Lord, the God of Israel, with a very loud shout.

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Another 4,000 will work as gatekeepers, and 4,000 will praise the Lord with the musical instruments I have made.”

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42 They used their trumpets, cymbals, and other instruments to accompany their songs of praise to God.[a] And the sons of Jeduthun were appointed as gatekeepers.

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Footnotes

  1. 16:42 Or to accompany the sacred music; or to accompany singing to God.

Asaph, the leader of this group, sounded the cymbals. Second to him was Zechariah, followed by Jeiel, Shemiramoth, Jehiel, Mattithiah, Eliab, Benaiah, Obed-edom, and Jeiel. They played the harps and lyres.

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16 David also ordered the Levite leaders to appoint a choir of Levites who were singers and musicians to sing joyful songs to the accompaniment of harps, lyres, and cymbals. 17 So the Levites appointed Heman son of Joel along with his fellow Levites: Asaph son of Berekiah, and Ethan son of Kushaiah from the clan of Merari. 18 The following men were chosen as their assistants: Zechariah, Jaaziel,[a] Shemiramoth, Jehiel, Unni, Eliab, Benaiah, Maaseiah, Mattithiah, Eliphelehu, Mikneiah, and the gatekeepers—Obed-edom and Jeiel.

19 The musicians Heman, Asaph, and Ethan were chosen to sound the bronze cymbals. 20 Zechariah, Aziel, Shemiramoth, Jehiel, Unni, Eliab, Maaseiah, and Benaiah were chosen to play the harps.[b] 21 Mattithiah, Eliphelehu, Mikneiah, Obed-edom, Jeiel, and Azaziah were chosen to play the lyres.[c] 22 Kenaniah, the head Levite, was chosen as the choir leader because of his skill.

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Footnotes

  1. 15:18 As in several Hebrew manuscripts and Greek version (see also parallel lists in 15:20; 16:5); Masoretic Text reads Zechariah ben Jaaziel.
  2. 15:20 Hebrew adds according to Alamoth, which is probably a musical term. The meaning of the Hebrew is uncertain.
  3. 15:21 Hebrew adds according to the Sheminith, which is probably a musical term. The meaning of the Hebrew is uncertain.

Psalm 95

Come, let us sing to the Lord!
    Let us shout joyfully to the Rock of our salvation.
Let us come to him with thanksgiving.
    Let us sing psalms of praise to him.

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Psalm 81

For the choir director: A psalm of Asaph, to be accompanied by a stringed instrument.[a]

Sing praises to God, our strength.
    Sing to the God of Jacob.

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Footnotes

  1. 81:Title Hebrew according to the gittith.

Psalm 49

For the choir director: A psalm of the descendants of Korah.

Listen to this, all you people!
    Pay attention, everyone in the world!

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Psalm 44

For the choir director: A psalm[a] of the descendants of Korah.

O God, we have heard it with our own ears—
    our ancestors have told us
of all you did in their day,
    in days long ago:

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Footnotes

  1. 44:Title Hebrew maskil. This may be a literary or musical term.

42 and the singers—Maaseiah, Shemaiah, Eleazar, Uzzi, Jehohanan, Malkijah, Elam, and Ezer. They played and sang loudly under the direction of Jezrahiah the choir director.

43 Many sacrifices were offered on that joyous day, for God had given the people cause for great joy. The women and children also participated in the celebration, and the joy of the people of Jerusalem could be heard far away.

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12 But many of the older priests, Levites, and other leaders who had seen the first Temple wept aloud when they saw the new Temple’s foundation. The others, however, were shouting for joy. 13 The joyful shouting and weeping mingled together in a loud noise that could be heard far in the distance.

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13 The trumpeters and singers performed together in unison to praise and give thanks to the Lord. Accompanied by trumpets, cymbals, and other instruments, they raised their voices and praised the Lord with these words:

“He is good!
    His faithful love endures forever!”

At that moment a thick cloud filled the Temple of the Lord.

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Duties of the Musicians

25 David and the army commanders then appointed men from the families of Asaph, Heman, and Jeduthun to proclaim God’s messages to the accompaniment of lyres, harps, and cymbals. Here is a list of their names and their work:

From the sons of Asaph, there were Zaccur, Joseph, Nethaniah, and Asarelah. They worked under the direction of their father, Asaph, who proclaimed God’s messages by the king’s orders.

From the sons of Jeduthun, there were Gedaliah, Zeri, Jeshaiah, Shimei,[a] Hashabiah, and Mattithiah, six in all. They worked under the direction of their father, Jeduthun, who proclaimed God’s messages to the accompaniment of the lyre, offering thanks and praise to the Lord.

From the sons of Heman, there were Bukkiah, Mattaniah, Uzziel, Shubael,[b] Jerimoth, Hananiah, Hanani, Eliathah, Giddalti, Romamti-ezer, Joshbekashah, Mallothi, Hothir, and Mahazioth. All these were the sons of Heman, the king’s seer, for God had honored him with fourteen sons and three daughters.

All these men were under the direction of their fathers as they made music at the house of the Lord. Their responsibilities included the playing of cymbals, harps, and lyres at the house of God. Asaph, Jeduthun, and Heman reported directly to the king. They and their families were all trained in making music before the Lord, and each of them—288 in all—was an accomplished musician.

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Footnotes

  1. 25:3 As in one Hebrew manuscript and some Greek manuscripts (see also 25:17); most Hebrew manuscripts lack Shimei.
  2. 25:4 Hebrew Shebuel, a variant spelling of Shubael; compare 25:20.

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